20th century Art

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   The 20th century opened new vistas and possibilities that expanded everyday human experience and greatly influenced the world of art and original painting. From the earliest years of the turn of the century, artists were beginning to experiment with subject matter, creating realities reflective more of their own inner visions than what lay before them in nature. Concurrent with this was a search for new techniques, materials, and approaches to support these forays into new terrains. As a result, 20th century painting movements and trends inspired artists to set out in many divergent directions, resulting in a broad range of styles and forms. They tended to break with tradition. They preferred to look forward instead of backward and experiment with new artistic choices rather than relying on old methods. Art in the 20th century was all about progress. Artists wanted to contribute to the development of their viewers and their society.Artists explored new ways of creating and distributing their works with important roles such as Science and Technology. They highly valued free expression. They refused to conform to standard practices and instead painted what they thought, felt, and envisioned, even if no one else appreciated or understood it.The subject matter was less important than the way that subject matter was communicated to the viewer. 


   Fauvism, whose name derives from the French word for "wild beast," was a Primitivist movement centered in Paris in the first decade of the 20th century. Fauvism was a logical successor to the painting of van Gogh and Gauguin. They chose their color and brushwork on the basis of their emotive qualities. Despite the aggressiveness of their method, however, their subject matter centered on traditional nudes, still lifes, and landscapes. Expressionism is the distortion of nature as opposed to the imitation of nature in order to achieve a desired emotional effect or representation of inner feelings. Cubism was a highly influential visual arts style of the 20th century the Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories of art as the imitation of nature. Typical cubist paintings frequently show letters, musical instruments, bottles, pitchers, glasses, newspapers, still lifes, and the human face and figure. Analytical Cubism, color schemes were simplified, tending to be nearly monochromatic (hues of tan, brown, gray, cream, green, or blue preferred) in order not to distract the viewer from the artist's primary interest--the structure of form itself. Synthetic Cubism, works of this phase emphasize the combination, or synthesis, of forms in the picture. Color is extremely important in the pieces' shapes because they become larger and more decorative. Futurism, Italian Futurismo, Russian Futurism, early 20th-century artistic movement centred in Italy that emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life.

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